The 2024 Grammys taking place Sunday night in Los Angeles honor recordings released from Oct. 1, 2022, through Sept. 15, 2023. SZA is the lead nominee, with nine nods for her album “SOS,” which topped the Billboard 200 for 10 straight weeks.
The R&B singer Victoria Monét and the indie rocker Phoebe Bridgers of boygenius both have seven, while Jon Batiste, boygenius, the Americana singer-songwriter Brandy Clark, Miley Cyrus, Billie Eilish, Olivia Rodrigo and Taylor Swift have six nods apiece.
In awards given out before the telecast, boygenius earned three prizes, songs from the film “Barbie” nabbed two, and SZA won two but lost three. In an early highlight from the main ceremony, Tracy Chapman took the stage to perform her hit “Fast Car” with Luke Combs.
GRAMMY AWARDS 2024 WINNERS LIST
- PRODUCER OF THE YEAR, NON-CLASSICAL - Jack Antonoff
- SONGWRITER OF THE YEAR, NON-CLASSICAL - Theron Thomas
- BEST POP SOLO PERFORMANCE - “Flowers,” Miley Cyrus
- BEST POP DUO/GROUP PERFORMANCE - “Ghost in the Machine,” SZA featuring Phoebe Bridgers
- BEST DANCE/ELECTRONIC RECORDING - “Rumble,” Skrillex, Fred again.. and Flowdan,
- BEST POP DANCE RECORDING - “Padam Padam,” Kylie Minogue, Hear the “Padam Padam” Popcast.
- BEST DANCE/ELECTRONIC MUSIC ALBUM - “Actual Life 3 (January 1 - September 9 2022),” Fred again..
- BEST ROCK PERFORMANCE - “Not Strong Enough,” boygenius
- BEST METAL PERFORMANCE - “72 Seasons,” Metallica
- BEST ROCK SONG - “Not Strong Enough,” Julien Baker, Phoebe Bridgers and Lucy Dacus, songwriters (boygenius), Hear the boygenius Popcast.
- BEST ROCK ALBUM - “This Is Why,” Paramore
- BEST ALTERNATIVE MUSIC PERFORMANCE - “This Is Why,” Paramore
- BEST ALTERNATIVE MUSIC ALBUM - “The Record,” boygenius
- BEST R&B PERFORMANCE - “ICU,” Coco Jones
- BEST TRADITIONAL R&B PERFORMANCE - “Good Morning,” PJ Morton featuring Susan Carol
- BEST PROGRESSIVE R&B ALBUM - “SOS,” SZA
- BEST R&B ALBUM - “Jaguar II,” Victoria Monét
- BEST RAP PERFORMANCE - “Scientists & Engineers,” Killer Mike featuring André 3000, Future and Eryn Allen Kane
- BEST MELODIC RAP PERFORMANCE - “All My Life,” Lil Durk featuring J. Cole
- BEST RAP SONG - “Scientists & Engineers,” André Benjamin, Paul Beauregard, James Blake, Michael Render, Tim Moore and Dion Wilson, songwriters (Killer Mike featuring André 3000, Future and Eryn Allen Kane)
- BEST RAP ALBUM - “Michael,” Killer Mike
- BEST SPOKEN WORD POETRY ALBUM - “The Light Inside,” J. Ivy
- BEST JAZZ PERFORMANCE - “Tight,” Samara Joy
- BEST JAZZ VOCAL ALBUM - “How Love Begins,” Nicole Zuraitis
- BEST JAZZ INSTRUMENTAL ALBUM - “The Winds of Change,” Billy Childs
- BEST LARGE JAZZ ENSEMBLE ALBUM - “Basie Swings the Blues,” The Count Basie Orchestra directed by Scotty Barnhart
- BEST LATIN JAZZ ALBUM - “El Arte Del Bolero Vol. 2,” Miguel Zenón and Luis Perdomo
- BEST ALTERNATIVE JAZZ ALBUM - “The Omnichord Real Book,” Meshell Ndegeocello
- BEST TRADITIONAL POP VOCAL ALBUM - “Bewitched,” Laufey
- BEST CONTEMPORARY INSTRUMENTAL ALBUM - “As We Speak,” Béla Fleck, Zakir Hussain, Edgar Meyer, featuring Rakesh Chaurasia
- BEST MUSICAL THEATER ALBUM - “Some Like It Hot,” Christian Borle, J. Harrison Ghee, Adrianna Hicks and NaTasha Yvette Williams, principal vocalists; Mary-Mitchell Campbell, Bryan Carter, Scott M. Riesett, Charlie Rosen and Marc Shaiman, producers; Scott Wittman, lyricist; Marc Shaiman, composer and lyricist (Original Broadway Cast)
- BEST COUNTRY SOLO PERFORMANCE - “White Horse,” Chris Stapleton
- BEST COUNTRY DUO/GROUP PERFORMANCE - “I Remember Everything,” Zach Bryan featuring Kacey Musgraves
- BEST COUNTRY SONG - “White Horse,” Chris Stapleton and Dan Wilson, songwriters (Chris Stapleton)
- BEST AMERICAN ROOTS PERFORMANCE - “Eve Was Black,” Allison Russell
- BEST AMERICANA PERFORMANCE - “Dear Insecurity,” Brandy Clark featuring Brandi Carlile
- BEST AMERICAN ROOTS SONG - “Cast Iron Skillet,” Jason Isbell, songwriter (Jason Isbell and the 400 Unit)
- BEST AMERICANA ALBUM - “Weathervanes,” Jason Isbell and the 400 Unit
- BEST BLUEGRASS ALBUM - “City of Gold,” Molly Tuttle & Golden Highway
- BEST TRADITIONAL BLUES ALBUM - “All My Love for You,” Bobby Rush
- BEST CONTEMPORARY BLUES ALBUM - “Blood Harmony,” Larkin Poe
- BEST FOLK ALBUM - “Joni Mitchell at Newport (Live),” Joni Mitchell
- BEST REGIONAL ROOTS MUSIC ALBUM - “New Beginnings,” Buckwheat Zydeco Jr. and the Legendary Ils Sont Partis Band, “Live: Orpheum Theater Nola,” Lost Bayou Ramblers and Louisiana Philharmonic Orchestra (tie)
- BEST GOSPEL PERFORMANCE/SONG - “All Things,” Kirk Franklin; Kirk Franklin, songwriter
- BEST CONTEMPORARY CHRISTIAN MUSIC PERFORMANCE/SONG - “Your Power,” Lecrae and Tasha Cobbs Leonard
- BEST GOSPEL ALBUM - “All Things New: Live in Orlando,” Tye Tribbett
- BEST CONTEMPORARY CHRISTIAN MUSIC ALBUM - “Church Clothes 4,” Lecrae
- BEST ROOTS GOSPEL ALBUM - “Echoes of the South,” Blind Boys of Alabama
- BEST LATIN POP ALBUM - “X Mí (Vol. 1),” Gaby Moreno
- BEST MÚSICA URBANA ALBUM - “Mañana Será Bonito,” Karol G
- BEST LATIN ROCK OR ALTERNATIVE ALBUM - “Vida Cotidiana,” Juanes, “De Todas Las Flores,” Natalia Lafourcade (tie)
- BEST MÚSICA MEXICANA ALBUM (INCLUDING TEJANO) - “Génesis,” Peso Pluma
- BEST TROPICAL LATIN ALBUM - “Siembra: 45° Aniversario (En Vivo en el Coliseo de Puerto Rico, 14 de Mayo 2022),” Rubén Blades con Roberto Delgado and Orquesta
- BEST GLOBAL MUSIC PERFORMANCE - “Pashto,” Béla Fleck, Edgar Meyer and Zakir Hussain featuring Rakesh Chaurasia
- BEST AFRICAN MUSIC PERFORMANCE - “Water,” Tyla
- BEST GLOBAL MUSIC ALBUM - “This Moment,” Shakti
- BEST REGGAE ALBUM - “Colors of Royal,” Julian Marley & Antaeus
- BEST NEW AGE, AMBIENT OR CHANT ALBUM - “So She Howls,” Carla Patullo featuring Tonality and the Scorchio Quartet
- BEST CHILDREN’S MUSIC ALBUM - “We Grow Together Preschool Songs,” 123 Andrés
- BEST COMEDY ALBUM - “What’s in a Name?,” Dave Chappelle
- BEST AUDIOBOOK, NARRATION AND STORYTELLING RECORDIN - “The Light We Carry: Overcoming in Uncertain Times,” Michelle Obama
- BEST COMPILATION SOUNDTRACK FOR VISUAL MEDIA - “Barbie: The Album” (Various Artists)
- BEST SCORE SOUNDTRACK FOR VISUAL MEDIA (INCLUDES FILM AND TELEVISION) - “Oppenheimer,” Ludwig Göransson, composer
- BEST SCORE SOUNDTRACK FOR VIDEO GAMES AND OTHER INTERACTIVE MEDIA - “Star Wars Jedi: Survivor,” Stephen Barton and Gordy Haab, composers
- BEST SONG WRITTEN FOR VISUAL MEDIA - “What Was I Made For?” from “Barbie: The Album,” Billie Eilish O’Connell and Finneas O’Connell, songwriters (Billie Eilish)
- BEST MUSIC VIDEO - “I’m Only Sleeping” (The Beatles), Em Cooper, video director; Jonathan Clyde, Sophie Hilton, Sue Loughlin and Laura Thomas, video producers
- BEST MUSIC FILM - “Moonage Daydream” (David Bowie), Brett Morgen, video director; Brett Morgen, video producer
- BEST RECORDING PACKAGE - “Stumpwork,” Luke Brooks and James Theseus Buck, art directors (Dry Cleaning)
- BEST BOXED OR SPECIAL LIMITED EDITION PACKAGE -
- “For the Birds: The Birdsong Project,” Jeri Heiden and John Heiden, art directors (Various Artists)
- BEST ALBUM NOTES - “Written in Their Soul: The Stax Songwriter Demos,” Robert Gordon and Deanie Parker, album notes writers (Various Artists)
- BEST HISTORICAL ALBUM - “Written in Their Soul: The Stax Songwriter Demos,” Robert Gordon, Deanie Parker, Cheryl Pawelski, Michele Smith and Mason Williams, compilation producers; Michael Graves, mastering engineer; Michael Graves, restoration engineer (Various Artists)
- BEST ENGINEERED ALBUM, NON-CLASSICAL - “Jaguar II,” John Kercy, Kyle Mann, Victoria Monét, Patrizio “Teezio” Pigliapoco, Neal H Pogue and Todd Robinson, engineers; Colin Leonard, mastering engineer (Victoria Monét)
- BEST ENGINEERED ALBUM, CLASSICAL - “Contemporary American Composers,” David Frost & Charlie Post, engineers; Silas Brown, mastering engineer (Riccardo Muti and Chicago Symphony Orchestra)
- PRODUCER OF THE YEAR, CLASSICAL - Elaine Martone
- BEST REMIXED RECORDING - “Wagging Tongue (Wet Leg Remix),” Wet Leg, remixers (Depeche Mode)
- BEST IMMERSIVE AUDIO ALBUM - “The Diary of Alicia Keys,” George Massenburg and Eric Schilling, immersive mix engineers; Michael Romanowski, immersive mastering engineer; Alicia Keys and Ann Mincieli, immersive producers (Alicia Keys)
- BEST INSTRUMENTAL COMPOSITION - “Helena’s Theme,” John Williams, composer (John Williams)
- BEST ARRANGEMENT, INSTRUMENTAL OR A CAPPELLA - “Folsom Prison Blues,” John Carter Cash, Tommy Emmanuel, Markus Illko, Janet Robin and Roberto Luis Rodriguez, arrangers (The String Revolution featuring Tommy Emmanuel)
- BEST ARRANGEMENT, INSTRUMENTS AND VOCALS - “In the Wee Small Hours of the Morning,” Erin Bentlage, Jacob Collier, Sara Gazarek, Johnaye, Kendrick and Amanda Taylor, arrangers (säje Featuring Jacob Collier)
- BEST ORCHESTRAL PERFORMANCE - “Adès: Dante,” Gustavo Dudamel, conductor (Los Angeles Philharmonic)
- BEST OPERA RECORDING - “Blanchard: Champion,” Yannick Nézet-Séguin, conductor; Ryan Speedo Green, Latonia Moore and Eric Owens; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
- BEST CHORAL PERFORMANCE - “Saariaho: Reconnaissance,” Nils Schweckendiek, conductor (Uusinta Ensemble; Helsinki Chamber Choir)
- BEST CHAMBER MUSIC/SMALL ENSEMBLE PERFORMANCE - “Rough Magic,” Roomful of Teeth
- BEST CLASSICAL INSTRUMENTAL SOLO - “The American Project,” Yuja Wang; Teddy Abrams, conductor (Louisville Orchestra)
- BEST CLASSICAL SOLO VOCAL ALBUM - “Walking in the Dark,” Julia Bullock, soloist; Christian Reif, conductor (Philharmonia Orchestra)
- BEST CLASSICAL COMPENDIUM - “Passion for Bach and Coltrane,” Alex Brown, Harlem Quartet, Imani Winds, Edward Perez, Neal Smith and A.B. Spellman; Silas Brown and Mark Dover, producers
- BEST CONTEMPORARY CLASSICAL COMPOSITION - “Montgomery: Rounds,” Jessie Montgomery, composer (Awadagin Pratt, A Far Cry and Roomful of Teeth)
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